Guest Lecture at National University of Singapore. Lo-Hi Tech: Primitive Futures

Guest Lecture @ National University of Singapore: Lo-Hi Tech. Primitive Futures

Organised by Department of Architecture, National University of Singapore
27th March 202
5

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Judges’ Special Award at Taipei Design Awards 2024

Lo-Hi Tech. Primitive Materials: Future Frontiers is awarded the Judges Special Award (Industrial Design) at the Taipei Design Awards 2024.

Lo-Hi Tech: The New Primitive Hut

Inspired by architects and philosophers like Viollet-le-Duc, Laugier, and Vitruvius, who rooted architecture in nature, this project poses a speculative question: How can the evolution of the “primitive hut” integrate more deeply with nature and modern technology to tackle future climate challenges?

This research emphasizes using naturally modified materials to create sustainable shelters that generate clean energy. The shelter not only addresses possible solutions to the climate crisis but also re-evaluates humanity’s connection to the environment, demonstrating how low-tech materials can perform effectively alongside modern technology.

Studio SKLIM aims to position “Natural Climate Tech” as essential for innovative architectural systems, contributing to the broader goal of net-zero shelter solutions. This research adopts a dual approach of “Learning from Nature” and “Modifying Nature,” focusing on natural systems and material adaptation to enhance performance.

The architectural installation features a lightweight lattice made from Jute fibre biocomposite, designed for modular installation and localised repair. The method of stacking modular components is inspired by the timber bracket connections found in Korean traditional Hanok structures and other similar timber constructions in the region. The Jute fibre biocomposite frameworks are also dyed in organic dyes made from plant extracts. The Terracotta infills facilitate passive cooling through natural airflow and water evaporation, complemented by integrated solar panels on Kenaf biocomposite tiles, creating a roof system that generates clean energy. The water receptacles also function as planting beds to encourage biodiversity.

Additionally, we aim to explore biodiversity habitats, or “Bio-Tats,” which introduce animal habitats (bird-tats) that align with the principles of Lo-Hi Tech.

“Lo-Hi Tech: The New Primitive Hut,” the second in this research series, expands its scope from material research to include interconnected systems. Our research covers three building material systems:

  1. Ju-Frame Structure (JFS) – Jute Fibre Biocomposite Lightweight Structures
  2. Ke-Sol System (KSS) – Kenaf Fibre Biocomposite and Solar Panel System
  3. Terra-Cool System 2 (TCS2) – Terracotta with Evaporative Cooling, Water + Sand Filter System/Plant Beds

Exhibition Concept

Our experiential exhibition aims to showcase the various ways plant fibres such as Jute and Kenaf, and terracotta can be used to create integrated building systems in forms such as lightweight structures, cladding surfaces, solar panel roofing, and even habitats that promote biodiversity.

The exhibition consists of the following components:

  1. Main installation: A half-arch structure made up of 800 modular Jute biocomposite pieces. This setup also incorporates existing KSS solar panels and empty shells, which are repurposed as shelving units. These components are attached to the new lattice structure using 3D-printed bridge elements. Inserts of new terracotta cooling units (TCS2) are further integrated into the lattice framework.
  2. Bio-tat for birds: Constructed using KSS tiles, a 3D printed PLA framework, and 3D-printed ceramic wall panels.
clientZER01NE (Hyundai Motor Group)
programMaterial Research / Exhibition
area30m² (Indoor Exhibition)
3m² (Outdoor Exhibition)
statusCompleted
team membersKevin Lim, Ashwin Bafna
collaboratorsProduction & Fabrication
Livingstan A (Ceramics Lead)
Anantharaj P (Ceramics Team)
Jelin Mery A (Ceramics Team)
Sivagnanam V (Ceramics Team)
Sakthivel S (Ceramics Team)
Thomash S (Ceramics Team)
Shanmugam A (Ceramics Team)
Kedil A (Ceramics Team)
Keplin A (Ceramics Team)
Hari R (Ceramics Team)
Boobalan M (Ceramics Team)
Magesh X (Ceramics Team)
Nimosan M (Ceramics Team)
Ankit S (Jute & Kenaf Biocomposite Fabrication)
Arun Singavi (Solar Panel Lead)
Dyes
Sodhani Biotech
3D Ceramic Printing (Bird Bio-Tat)
Superstructure
photography & filmChan Hao Ong
creative direction
Chan Hao Ong
Kevin Lim
language translation, copy editing & proofreadingAshwin Bafna
Yoonjae Lee
Kevin Lim
associate sponsorDesignSingapore
year of completion2024

Lo-Hi Tech: Primitive Materials: Future Frontiers, is a Finalist at the Taipei Design Award 2024

Lo-Hi Tech: Future Frontiers, is a Finalist at the Taipei Design Award 2024 under ‘Industrial Design’ category.

Lo-Hi Tech: Terra-Cool System awarded Honourable Mention at INDE Awards 2024

Lo-Hi Tech: Terra-Cool System awarded Honourable Mention at the INDE Awards 2024 under the category ‘The Object’.

Lo-Hi Tech shortlisted for INDE Awards 2024

Lo-Hi Tech: Terra-Cool System has made the shortlist of INDE Awards 2024 under the category ‘The Object’.

FuturArc. Voids as communal ‘canyons’: Kolkata’s Modern High School International by Studio SKLIM

FuturArc features Modern High School International. View here.

Architect & Interiors India: Engage with the cutting-edge possibilities of Lo-High Tech building systems

Architect & Interiors India features Modern High School International.  View here.

Architect & Interiors India : Enter a new era of learning at West Bengal’s first Platinum Level IGBC certified school

Architect & Interiors India features Modern High School International.  View here.

Arch Daily features Modern High School International

Modern High School International on Arch Daily.

View here.

Monocle: “Learning Curves” features Modern High School International

Monocle features Modern High School International in their collection of articles “Learning Curves” by Nic Monisse.

Above the Noise

“Building a school in Kolkata, one of India’s most populous cities, comes with a set of steep challenges. Among these is the need to overcome problems caused by the city’s constant traffic noise and high pollution levels. Commissioned to build the Modern High School International – a co-educational international school comprising classrooms, a library, a maker’s workshop, an exhibition space and communal areas for students – Singapore-based architecture firm Studio Sklim decided to face these issues head-on. “Our solution was to embrace the chaos,” says Kevin Lim, the practice’s founding principal.”

View here

Modern High School International

Context

In Kolkata, India, the existing basketball courts of ‘Modern High School for Girls’ have been transformed into a 6-storey co-ed international school. Situated at a noisy and congested traffic intersection, the building’s massing begins as a rectangular block with north/south long elevations and east/west short elevations. The choice of a north-south longitudinal orientation with east-west as the short frontage aims to maximize natural daylight in south-facing classrooms year-round and provides an elevated panoramic view of a recreational lawn and the broader cityscape of Kolkata. This alignment also exposes a large facade surface to the prevailing wind, unobstructed by nearby infrastructure.

Programmatic Organisation

The International Baccalaureate curriculum (IB) brings about a shift in teaching pedagogies, leading to a reorganisation of spatial layouts. Students now move to resource centres instead of remaining stationary in classrooms. The new programmatic mix focuses on establishing dynamic relationships between student spaces and administration/teaching staff. For instance, the staff room is distributed across multiple levels to enhance student-teacher accessibility.

Each unique floor plate features a distinct programmatic distribution, encouraging student movement and creating a vibrant atmosphere throughout the building. Formal academic programs are seamlessly integrated with informal spaces such as a maker’s workshop, exhibition space, yoga/exercise room, multi-purpose studio, study nooks, and communal discussion areas to foster both conditioned and cognitive learning.

Moreover, the learning commons are strategically expanded to create intimate pockets of spaces by merging corridors and rearranging the placement of surrounding classrooms, resulting in winding circulation paths with various nooks. At the building’s apex, an entire floor plate is dedicated to a state-of-the-art library with quiet and general discussion zones. The quiet zone includes discussion pods for individuals and groups, providing access to multimedia resources and facilitating meetings.

A continuous glazed ribbon of fenestration across three sides offers students a contextual view of the city while reading or studying in natural daylight. Adjacent to the library is an event space designated for functions like student exhibitions or workshops by esteemed guests and alumni. The library is envisioned as both an active facilitator and a receptacle for knowledge transfer, serving both students and the broader community.

Lighting the Learning Commons

Two ‘Light Canyons’ are carved into the building mass, with an additional ‘Light Canyon’ inserting itself down the middle, forming a naturally lit atrium. These canyons create staggered communal spaces and offer the public glimpses of the school’s activities through these apertures.

The primary ‘Light Canyon’ features staggered discussion areas emerging from a biophilic classroom, inspired by the rustic setting of traditional Indian ‘Gurukul‘ classes, at the base level.  Cantilevered platforms visually unite across different levels, while cascading voids take inspiration from natural canyon formations.

The secondary ‘Light Canyon’ introduces a tapered slot of light from the south, leading to the ‘Light Atrium.’  This bathes the atrium, fittingly named the ‘Study Tree’ due to its patterned balustrades resembling branches, in natural light across five levels. The ‘Study Tree’ area provides both communal discussion niches and individual study desks.

Structural Play

To achieve programmatic flexibility and introduce structural innovation on the south façade, the vertical services and circulation stacks were relocated to the north side. Additionally, structural engineering included the implementation of 5 post-tensioned beams capable of spanning up to 14 meters from the southern part of the building. This design choice resulted in a column-free environment for the multi-purpose hall, a majority of classrooms, and the learning commons.

The structural configuration not only allowed increased exposure to natural daylight from the south but also utilised cantilevered platforms to selectively filter direct sunlight into the common areas of the building. The strategically carved-out spaces, validated by solar radiance simulation studies, contribute to thermally comfortable enclosures, creating a conducive environment for students to gather throughout the day.

Given the persistent urban challenges of traffic noise and air pollution, the decision to glaze these ‘light canyons’ was imperative. The primary goal was to establish an acoustically suitable environment with clean air, all while maintaining a visual connection to the city context through expansive fenestrations.

Façade Articulation

The primary façade envelops the building on three sides using inclined ceramic panels. The vertical air gap within the ventilated light-coloured façade serves to insulate the building from direct solar radiation, prevent condensation built up, and reflect the majority of the incoming sunlight. The façade, segmented into 29 large modular types, is designed to optimise natural daylight penetration into the classrooms. Additionally, these inclined surfaces, coupled with recessed double-glazed windows, are strategically articulated to mitigate direct glare.  The inclined form of these modules also addresses the client’s practical request to minimise ledges for birds to perch, considered a nuisance in the city’s context with their incessant bird droppings and chatter.

Sustainability and Ecological Strategies

The school’s commitment to sustainability and adherence to green building practices were integral from the initial design phase. The Indian Green Building Council’s (IGBC) comprehensive sustainable strategies were diligently incorporated, leading the school to achieve the prestigious Platinum Mark (1st in West Bengal state). Implemented strategies encompass sustainable water practices, promotion of healthy indoor air quality, utilisation of eco-friendly school materials (pavers with low solar radiance index (SRI) to reduce heat island effect), installing clean energy equipment (solar panels), rainwater harvesting collection tanks and integration of green education into the curriculum (hands-on workshops on sustainable innovations).  The entire building is envisioned as a showcase, allowing students to actively educate themselves in real time about green building strategies and practices. The new Modern High School International aspires to be a ‘beacon of knowledge’ by providing an environment shaped by both natural light and modern educational pedagogies.

clientModern High School International
(CK Birla Group)
programArchitecture Design (Education)
Interior Design
Landscape Design (Hard)
Graphics and Wayfinding (Consultant)
area8000 m²
statusCompleted
director in chargeKevin Lim
project architectsAshwin Bafna
Josh Pattarapol Punpeng
teamSvasti Agrawal
Suruchi Agrawal
Aaron Lee
Zakhran Khan
Desmond Lee (Sustainability consultant – concept)
architect of recordKothari & Associates (Kolkata)
Bimal Mistry (Partner in charge)
project directorDevanshu Daga
project managerChetan Agarwal
G.S Agarwal
on-site engineerSuraj Sinha
construction admin
Indra Bansal
Sanjay Nandi
structure engineerS.P.A. Consultants
IT infrastructureRajesh Selvaganapathy
electrical engineerBalaji Electrical
sanitary/plumbing & fire consultantsAqua Utility Designs Management
geotechnical consultantGeotests Engineers
green building consultantGodrej & Boyce
building contractorMFAR Constructions
facade contractorAS Group
photographyHitesh Toolsidass / Studio SKLIM
year of completion2023

Design Boom: Studio SKLIM crafts biocomposite roof tiles with natural fibers and custom solar panels

View here.

“Studio SKLIM: The Techne of Things” exhibits at Seoul Design 2023, Dongdaemun Design Plaza

“Three recent projects by Studio SKLIM exemplify the current thought processes that govern design methods, techniques, technology, and materiality. These projects span across the realms of material research, architecture, interiors, and product design. ‘The Techne of Things’ abstracts the interplay between these thought processes, expertise, practical experience, and the dialogues among these distinct domains to yield the design outcomes produced by the studio.”

Seoul Design 2023

Studio SKLIM: The Techne of Things

Organised and Supported by Seoul Design Foundation

Supported by DesignSingapore

Dongdaemun Design Plaza, Seoul, South Korea

24th October – 2nd November 2023

Lo-Hi Tech. Primitive Materials: Future Frontiers showcases at Hyundai’s ZERO1NE Day 2023 in Seoul

Studio SKLIM has been selected as part of ZER01NE Creators Program 2023 and showcased our research ” Lo-Hi Tech. Primitive Materials: Future Frontiers” at:

ZERO1NE Day 2023

Organised by ZERO1NE, Hyundai Motor Group

S Factory, Seoul, South Korea

19th – 22nd October 2023

“Lo-Hi Tech is all about leveraging the best of both worlds – embracing high and low technologies to craft innovative hybrid solutions that are not only efficient and sustainable but also address pressing environmental issues and improve human living conditions.

The research demonstrates the immense potential for sustainable solutions to contemporary challenges by combining Asian primitive materials with both modern and ancient technology. Additionally, it highlights the convergence of traditional craftsmanship with innovative techniques.”

Lo-Hi Tech. Primitive Materials : Future Frontiers

Lo-Hi Tech is all about leveraging the best of both worlds – embracing high and low technologies to craft innovative hybrid solutions that are not only efficient and sustainable but also address pressing environmental issues and improve human living conditions.

The research demonstrates the immense potential for sustainable solutions to contemporary challenges by combining Asian primitive materials with both modern and ancient technology. Additionally, it highlights the convergence of traditional craftsmanship with innovative techniques.

 Our research focuses on two main building material systems:

Ke-Sol System (KSS) – Kenaf Fibre Biocomposites x Solar Panel System

The Ke-Sol System (KSS) seamlessly blends the strength of Kenaf fibers in lightweight biocomposite roof tiles with custom solar panels. Through a meticulous process involving high thermal pressure, Kenaf fiber mats are molded into robust yet lightweight roof panels. These panels are then integrated with monocrystalline solar panels, creating an innovative roof tile capable of generating clean energy through its modular and tiltable configurations. This integration showcases a harmonious fusion of nature and technology.

Terra-Cool System (TCS) – Terracotta x Evaporative Cooling Water + Sand Filter System

The Terra-Cool System (TCS) harnesses the natural properties of abundant terracotta, drawing inspiration from ancient refrigeration (Zeer pots) and irrigation (Olla Pots) techniques. Comprising two main structural modules—Hex and Tri components—the Hex converts hot air into cool air, while the Tri serves as a water tank, supplying water to the surrounding Hex.

By integrating terracotta with innovative technology, TCS forms a wall system capable of reducing air temperatures by an impressive 6.5 degrees Celsius. This temperature drop is attributed to three key factors: the inherent cooling properties of terracotta, a meticulously designed form to maximize air and water flow, and the cooling effect driven by water evaporation.  Furthermore, Computer Fluid Dynamics (CFD) simulations refine the design for optimal evaporative cooling performance.

Future Primitives-Use case scenario

We envision a future in which material systems effortlessly transition between shelter and vehicular infrastructure, transcending borders. The fundamental premise of our research is the seamless integration of the built environment with vehicles, including energy sources and sustainable materials. One relevant scenario involves creating sustainable shelter infrastructure for Electric Vehicle (EV) charging stations. These structures not only reduce ambient temperatures but also harness solar energy for localized lighting during the night.

Exhibition Concept

The KSS and TCS prototypes were showcased at ZER01NE 2023 in Seoul. The exhibition is structured around six themed trajectories:

  1. Context
  2. Sustainability
  3. Techne
  4. Technique
  5. Technology
  6. Future Primitives

Each theme is displayed in a radial arrangement of trays containing data, design thought processes, and research methodologies. Every tray captures a fragment and documents the design/manufacturing process through several vignettes. The items on the trays are loosely placed and may be relevant across multiple themes. Visitors are encouraged to draw associations between data, artifacts, and research, allowing them to form their own understanding of the exhibition. At the centre of these converging trays, we present the culmination of our research and the proof of concept for Lo-Hi Tech.

clientZER01NE (Hyundai Motor Group)
programMaterial Research / Exhibition
area57m² (Exhibition area )
statusCompleted
team membersKevin Lim
Ashwin Bafna
consultants / fabricationPhotographic & Film Documentation
Ong Chan Hao
Sustainable Strategy
Yvonne Zhang
Production & Fabrication
Athun K R (Ceramics Lead)
Livingstan S (Ceramics Site Lead)
Manoj S (Ceramics team)
Sivagnanam V (Ceramics)
Prabhu A (Ceramics)
Sanmugam S (Ceramics)
Sakthivel S (Ceramics)
Ganesha Moorthi C (Ceramics)
Nikhin K (Computer Fluid Dynamics Lead)
Arun S (Solar Panel Lead)
Devanshu D (Kenaf Biocomposite Coordination Lead)
Gurav J (Kenaf Biocomposite Fabrication Lead)
photographyChan Hao Ong / Athun K R / Studio SKLIM
video documentationChan Hao Ong
year of completion2023

+Pavilion makes INDE Awards Shortlist 2023

+Pavilion has made the shortlist of INDE Awards 2023 under the category ‘The Learning Space’.

MHSI awarded Platinum under Indian Green Building Council (IGBC)

Modern High School International (MHSI) in Kolkata, India has officially been awarded the highest accolade – Platnum under the Indian Green Building Council (IGBC) Green Schools Rating for new schools. MHSI is the first school in the state of West Bengal to achieve this and shares this accolade with a small group of 59 other high schools in India.

DDN: Orchestrating Movable Forces

Published by Design Diffusion World Srl, Milan, Italy

#281, January -Feburary 2023

Orchestrating Movable Forces

“Ultimately, furniture curation should carry the spirit of the project and reflect the designer’s values in order to achieve a cohesive spatial experience.”

Singapore Indesign Intimate 2023 – Towards A Low-Carbon Built Environment

Kevin Lim to participate in Singapore Indeisgn Intimate 2023 organised by Indesign Media Asia Pacific / Cubes.

“What are the impacts that the built environment has on the environment and what can be done to mitigate them and possibly heal the Earth? In this session, we discuss innovative solutions and strategies with those who want to revolutionise the built industry.”

Towards A Low-Carbon Built Environment

Singapore Indesign Intimate 2023

16th March 2023

1130am SGT

Louis Poulsen Showroom

5 Purvis St, #01-02, Singapore 188584

Financial Times : Lessons from a disaster: building homes for an earthquake

Financial Times features Hansha Reflection House in this article about seismic resistant homes by Edwin Heathcote.

“In Japan, Studio Sklim’s Hansha Reflection House employed traditional Japanese carpentry techniques combined with reinforcement to create a very contemporary earthquake-resistant dwelling.”

Hyundai’s ZER01NE Day 2022 – Creator’s Talks – Sustainability

Kevin Lim has been invited as a speaker/panelist for Hyundai’s ZER01NE Day 2022 – Creator’s Talks on the topic of Sustainability in Seoul, South Korea.

Hyundai’s ZER01NE Day 2022

Creator’s Talks – Sustainability

3rd October 2022

1-3pm KST

Future Club 2F

S FACTORY, Yeonmujang 15-gil 11, Seongdong-gu, Seoul, South Korea

 

The Business Times: + Pavilion moves to EHL Campus (Singapore)

+ Pavilion  is featured in Singapore’s Business Times.

“Studio SKLIM was involved in all aspects of the +Pavilion design, from inception to furnishing and the final architectural design. In collaboration with Affordable Abodes, it has been recently awarded a Good Design Research grant by DesignSingapore to pursue material research into biocomposite tiles made from kenaf plant fibres and binders.

Says Kevin Lim, founder director of Studio SKLIM: “Sustainability has become a responsibility that should be integral to the processes of design and construction. The future of practice will involve a more vested interest in material production and innovation. Rather than only being involved in traditional design decisions on a macro-scale, we can also influence change at a micro product level too.””

Home & Decor: SKLIM’s Kevin Lim on Conscious Construction

Kevin Lim, founder of Studio SKLIM, talks about the award-winning design practice’s collaborative installation at the Marina Barrage, recent construction technologies that he’s excited about and how we can reduce our carbon footprint in our daily lives.

Kenopy

Kenopy, is a research project that develops biocomposites made from kenaf (also known as Hibiscus cannabinus L, a rapidly grown tropical multipurpose plant) plant fibres.  We progress through material explorations and accumulated ‘techne’ to produce progressive fabrication iterations and design prototypes

By using renewable plant fibres, the project hopes to play a sustainable part in reducing the carbon footprint of the built environment with this alternative material.

For the first time in Singapore, kenaf fibre biocomposites are being used as roofing elements for a sustainable pavilion in Singapore in the form of mesh reinforced skylights and roof eave shingles. 

Kenaf is a non-wood lignocellulosic material. They are formed mainly by cellulose, hemicelluloses and lignin. It grows to 2.5 m – 6m tall with a woody base within 5 months. Kenaf fibres are viable alternative material for producing biocomposites because of their fast-growing properties, which allows a large volume of raw materials to be delivered in a short period. An acre of Kenaf produces 5 to 8 tons of raw plant bast fibres and core fibres in a single growing season. In contrast, an acre of forest produces 1.5 to 3.5 tons of usable fibre per year.

Conventional synthetic materials (like glass fibre, carbon fibre) are good reinforcing materials for biocomposites. However, they are non-renewable and much costlier. The usage of these fibres as reinforcement is more economical, has both renewable & recyclable attributes, and absorbs more CO2 than any other crop.

Singapore is constructing 150 km of sheltered linkways by 2040 (source: LTA 2040 Masterplan).  The existing set of materials used for shelter construction are non-renewable and generate a significant amount of greenhouse gases. With the advent of Kenaf fibre biocomposites, there is the potential to substitute non-renewable materials and move towards a carbon neutral built environment.

Tiles were developed by first fabricating the interior surface tiles, followed by transformative tiles, and finally by light panels.  Various enhancers (like fire retardant epoxy, kenaf chips) were added to develop better durable external tiles. Finally, external roof eaves shingles & mesh reinforced central skylights were fabricated for use at a sustainable pavilion in Singapore.  The fabrication of Kenopy tiles involves 9 stages which includes matting the fibres and vacuum forming into moulds.  This includes interior tiles, transformative tiles, light feature panels and exterior roofing.

Interior Surface Tiles

These tiles are the first basic interior tiles fabricated. Various natural dyes like turmeric powder, beetroot, blue pea flowers, were experimented with to check the quality of staining on Kenaf fibres. It was concluded that staining from turmeric powder yields the brightest and most vibrant hues. 3D printed moulds were used to create the base form for Kenaf fibres and matrix, which were vacuumed-formed before they took permanent shape.

Interior Transformative Tiles

Kenaf fibres have the inherent flexibility to take up most shape from the moulds. This allows the fibres to be fabricated in multiple geometries. Transformative tile explores interlocking motifs with separate tiles.

Interior Light Panels

The unique property of Kenopy to flaunt its fibres and filter light, empowers a cafe in Singapore to use biocomposite materials as light panels. To achieve the various shades of yellow to orange hues, a mixture of organic dyes made from beetroot, turmeric and krill extracts were used to soak the Kenaf fibres. These light panels were to showcase our design theme of ‘colour spectrums derived from the ripening and roasting process of coffee fruits and beans’. When backlit, these panels shows the juxtaposition of natural fibres in clarity, adding to the cosy ambience of the cafe.

Fire Retardancy + Water Resistance + Buoyancy

A preliminary performative fire test was conducted on Kenopy tiles. These tiles were fabricated with fire retardant resin and performed satisfactorily. However, fabricating with this resin made the panel opaque.

Kenaf fibres are lightweight and low in density. This makes the finished panels buoyant and the combination with the matrix creates water resistancy.

Exterior Sandwiched Kenaf Chips Tiles

These sandwich panels were fabricated with dry Kenaf stem chips lodged between 2 layers of fibre mats. The Kenaf chips improve the overall thermal insulation of the panel.

Exterior Roof Eave Shingles

These exterior shingles line the perimeter roof edge of the +Pavilion. The scallop shape and water resistant quality prevent the backflow of rainwater onto the glulam structure.

Exterior Mesh Reinforced Central Skylights

4 panels each measuring 1275 mm by 880 mm are the largest roof panels we have fabricated to date. To reduce warpage and increase stability of these large panels, the fibres were reinforced with metal mesh. The translucent mesh reinforced skylights allow light to filter through the central space of the +Pavilion, creating a warm glow.

ClientGood Design Research Grant by DesignSingapore
ProgramMaterial Research
StatusCompleted
Team MembersKevin Lim
 Ashwin Bafna
PartnerAfforableAbodes – Tim Tan
MentorTai Lee Siang
FabricationStudio SKLIM
 AffordableAbodes
Lighting Collaborator42 Degrees Asia
PhotographyOng Chan Hao / Studio SKLIM / AffordableAbodes
Year of Completion2022

Kenopy Showcase at National Design Centre, Singapore

“Kenopy is a biocomposite tile made from kenaf fibres.  We seek to create sustainable architectural tiles from ‘farm to shelter’.”

 

Our material research project under the Good Design Research grant by DesignSingapore was showcased at National Design Centre, Singapore.

 

15th July to 10th August, 2022

Pop-up Gallery #01-01

National Design Centre, Singapore

 

9-15_Deloitte Center for Edge on INDE Awards 2022 Shortlist

9-15_Deloitte Center for Edge makes INDE Awards 2022 Shortlist for ‘The Working Space’.

INDESIGNLIVE.SG: +Pavilion explores the future of sustainable construction.

“+Pavilion installation seeks to contribute towards building better lives in Singapore, and beyond.”  View here

+Pavilion

+Pavilion highlights the urgency to reduce the carbon footprint of the built environment – an important action that is part of Singapore’s Green Plan 2030 – and the ways industry players can do so.

The built environment of every city and country in the world is collectively responsible for 39% of global carbon emissions, of which 11% is embodied carbon and the remaining 28% is from building operations. Embodied carbon is the carbon released during the manufacturing, transportation, and construction phases of a building. This means that 11% of global carbon emissions are not recoupable once buildings are constructed [1].

Hence, sustainability and circular design techniques must be key priorities from the start of the building design and construction process, in order to effectively reduce the carbon footprint of the built environment.

Designing sustainable buildings requires more efficient construction methods, and the prioritization of the reusability and the durability of buildings and building materials. +Pavilion presents several methods that can reduce the embodied carbon emission of buildings:

+Pavilion is based on modular design and construction with pre-fabricated, pre-assembled modules, and ‘fit-for-purpose’ services.

The +Pavilion architectural and structural form was inspired by the Swiss cross.  Two ‘nested’ sets of tapering columns and purlins members sprout from this geometry to form the 5m cantilevering supports for the ruled surface roof form. The main structure is made from Swiss glued-laminated timber (glulam) fabricated by a 5-axis CNC machinery which has also enabled subtly rotational curved roof rafters members to be fabricated.  The single module manifested in this pavilion is only part of this geometrical tessellation.  Two sets of triangulations are conjoined in a diamond configuration, forming a 120 degrees angle at the pair of lower opposite roof ends.  This configuration allows three modules to form a sizable shelter and infinitely proliferate itself into a woven shelter tapestry.

The Glulam structure is counterweighted by a pre-fabricated reinforced concrete panel. The interface is done via innovative anchoring and glued-in rod connections. The floor expands from there into a platform that consists of a modular off-site bolt & nut system, which avoids the otherwise energy intensive welding works.  The modularity provides design flexibility to create a wide range of engineered structures, and the pre-fabrication allows precision manufacturing unimpacted by inclement weather. Both lead to more standardized and efficient assembly, translating to overall savings on building construction cost. The bolted modular supports significantly reduce carbon steel usage, enabling carbon footprint reduction, and reuse for future modifications.  On top of the floor base, we are using timber composite floor panels that we upcycled from another project where they previously served their first life-cycle already.

Other materials consist of innovative biocomposite made from the Kenaf plant as parts of the roof and boards made of recycled coffee serving as exhibition signage. It is the first time in Singapore that Kenaf (also known as Hibiscus cannabinus L, a rapidly grown tropical multipurpose plant) biocomposites are being explored as roofing components such as reinforced central skylights and rain eaves.

The +Pavilion is designed to attract attention, and encourage engagement with fellow visitors. The furniture on the pavilion, while providing a place to sit, relax, and interact, were curated to demonstrate different aspects of sustainability, from natural to recycled materials. Cork and rattan furniture are creatively used to highlight natural materials and demonstrate the capabilities of recycled polypropylene, composed by a mixture of recycled household waste. Multiple workshops and gatherings are planned to drive more discourse around sustainable building design and construction as part of the +Pavilion program at Marina Barrage.

While the installation in itself is a piece of showcase, complementary exhibition signage provides deeper insights into the story of the pavilion and education on sustainability

+Pavilion symbolizes the ‘sum of parts’ approach that is needed to tackle climate change as a whole: starting small, coming together as an ecosystem, and collaborating to turn ideas into reality. This project is just the beginning of something bigger, a showcase of our hopes to transform the way we build.

[1] Source: Embodied carbon call to action report | World Green Building Council (worldgbc.org)

https://youtu.be/Yhso-rLM0P0
clientEmbassy of Switzerland in Singapore
programPavilion
area85m²
statusCompleted
team membersKevin Lim
Ashwin Bafna
partnersAffordableAbodes
Deloitte
EHL Campus (Singapore)
Haring Timber Technology
Hilti
Marina Barrage
Nespresso
UBS
Vitra
consultants / constructionHAM Creations
Keon Consult
Pleo Cre8tions
TopZone E&C
photographyOng Chan Hao / Haring Timber Technology / Studio SKLIM
year of completion2022

Tapered Café

The café sits in a narrow space under a mature public housing estate at Everton Park in Singapore.   The premises was diagonally divided to create tapered volumes which splay out at opposite ends for an enhanced customer zone and a wider usable coffee preparation at the other.  This created opportunities to distribute the coffee functions linearly and progressively accommodate a larger customer reception.

The two diagonal datums comprising a series of both base and elevated prisms add both visual and functional layers (feet space) to the space.  The elevated datum of prisms displays the colour spectrum associated with coffee fruits during ripening while the base datum of prisms captures the progressive spectrum associated with the coffee beans roasting process.  The introduction of sustainable and circular-driven building materials was manifested by two main materials.  Firstly, discarded coffee grounds were collected and made into boards in varying shades of browns (these natural colours are derived from different species of beans and roasting methods).  Some of the coffee grounds were also collected from the client’s other café to be reconstituted as panels, using them in a circular fashion.  The other material which was used to create the light panels feature biocomposite boards made from kenaf plant fibres and binders (which we term as Kenopy) and moulded into prism profiles.   To achieve the various shades of yellow to orange hues, a mixture of organic dyes made from beetroot, turmeric and krill extracts were used to soak the fibres.  When backlit, these panels showcase the natural textures of the fibres in higher definition, adding to the ambience of the cafe.

Inspired from Italian standing espresso bars, the café provides a more intimate drinking experience with the barista and situates the customer in closer proximity to the sights, smells, and gurgling sounds of coffee brewing. The long countertop was staggered at various heights to subtly demarcate the customer areas and to avoid any accidental spillage onto the equipment.  A portion of the counter was also fitted with castor wheels to facilitate greater flexibility when shifting kitchen equipment and supplies.

To visually enhance the tapered spatial zoning, the adjacent wall was clad with bronze mirrors to reflect and provide another dimension to the narrow space.  ­The overall atmosphere was designed to be a dark and cosy environment where the process of the coffee experience is heightened and visually curated with the associated colour spectrums of the coffee fruits and beans processes.

Client Handcraft Coffee
Program Interior Refurbishment (F&B)
Area 37 m²
Status Completed
Team Members Kevin Lim
  Ashwin Bafna
Material Collaborators

Kenopy

-kenaf biocomposite light panels

(material research collaboration between Affordable and Studio SKLIM

 

Recycled coffee grounds boards

(A1 Environmental)

Lighting Collaborator 42 Degrees Asia
Photography Ong Chan Hao / Studio SKLIM
Year of Completion 2021

IFI Design Destinction Awards 2022 – Bronze (Play Category)

Voids Café has been awarded a Bronze (Play category) for the IFI Design Distinction Awards 2022.

80 projects were recognized with IFI Design Distinction Awards, from a shortlist of 156 completed interiors from across the world (total of 640 entries from 51 countries).

The IFI Design Distinction Awards form part of the IFI Global Awards Program (IFI GAP), which recognizes and documents exemplary vision, talent and commitment showcased in the practice of Interior Architecture/Design today. The 2022 IFI DDA marked its second edition record-breaking entries and representative countries across ten different categories.

 

9-15 Deloitte Center for Edge awarded at Architecture Masterprize 2021

9-15 Deloitte Center for Edge has been awarded Honourable Mention for Workplaces at the Architecture Masterprize 20201 Link here.

Swiss Embassy Workshop @ Archifest 2021

Swiss Embassy Workshop – Innovative sustainable design and solutions in building and construction

by Embassy of Switzerland in Singapore, Deloitte Centre for the Edge Asia, Studio SKLIM, Häring Timber Technology, Affordable Abodes, Hilti, EHL Campus (Singapore)

Join us in exploring all domains of sustainable design and solutions in the building and construction industry. These include building material, circularity and re-use, design for reuse, modular design, and green financing.

We invite designers, material scientists, architects, green financiers, and enthusiasts to participate. The conversation outcomes will ultimately lead to a physical manifestation in the form of a pavilion.

Workshop Details

29th Oct (Fri), 5:30 – 7:00 PM, EHL Campus (Singapore), 3 Lady Hill Rd, S258672

Photo Credits: Ong Chan Hao

Venice Biennial Architecture Exhibition 2021 – Time Space Existence

The European Cultural Centre presents the fifth edition of the extensive biennial architecture exhibition. The exhibition will open in parallel with Biennale Architettura on May 22nd, 2021 and it will run for six months until November 21th, 2021 at Palazzo Bembo, Palazzo Mora and Giardini della Marinaressa, with press previews and opening parties in each location on May 20th and 21st, 2021.

TIME SPACE EXISTENCE features completed and ongoing projects, innovative proposals, and utopian dreams of architectural expressions. Through a wide selection of projects ranging from conceptual works, models, photographs, videos, sculptures, to site-specific installations, each room will provide visitors information and inspiration on our surroundings.

By bringing together a diverse group of participants working across disciplines, the European Cultural Centre aims at stimulating an exchange among architects, universities, legendary masters, emerging studios, established global practices, designers, artists, photographers, developers, engineering companies, who together can have a crucial role in shaping the future of our living. Article about our exhibition by European Cultural Centre.

TIME SPACE EXISTENCE

(22th May, 2021 – 21st November, 2021)

Opening hours:
Palazzo Bembo and Palazzo Mora: 
10:00 am – 6:00 pm. Closed on Tuesday. Free entry.
Giardini della Marinaressa:  10:00 am – 6:00 pm open every day.  Free entry.

Special gratitude to our sponsors:

Shutter India Infra Projects, Vitra and Somfy.

Collaboration with Carve on Augmented Reality (AR) models.

Photo Credits: Studio SKLIM, European Cultural Centre, Federico Vespignani

Cubes – Compact: Multiplicity

Published by Indesign Media Asia Pte Ltd, Singapore

#100 – April/May 2021

 

Compact: Multiplicity

“Studio SKLIM posits that as more  people work from home, compact offices may become increasingly prevalent.”

DDN – Collaboration & Competition

Published by Design Diffusion World Srl, Milan, Italy

#264, March 2021

 

Collaboration & Competition

The International Federation of Interior Architects/Designers (IFI) engages with the world design community to explore the duality of collaboration and competition.  In the context of community and best business practice, we hear from architects and designers from Australia, Japan, and Singapore on how they nurture creative excellence while building a strong support community within the industry.

YAPI Magazine – Earthquake Resistant Buildings

Published by Yapı Endüstri Merkezi, Istanbul, Turkey

#462, December 2020 / January 2021

Earthquake Resistant Buildings

 

 

9-15-Deloitte Center for the Edge

The compact office might increasingly become ubiquitous due to the increasing requirement to work from home in the post-pandemic world. For Deloitte Center for the Edge (Asia Pacific) office in Singapore, a multitude of working spaces was conceived to accommodate a myriad of working styles.  The 32 m² office, located within the National Design Centre in Singapore, is designed with innate agility to transition from enclosures of individual concentration to collaborative spaces.

Different anthropometrical work boundaries and patterns were studied to create 9 distinct work zones:

  1. Soft Working – Comfortable sofa work seating
  2. Octopus Bar – Bar area with easy reach for work with a drink
  3. Niche to Meet – Niche for 2-3 person discussion
  4. Dedicated Work Station – Single full-height work cubicle
  5. Work with View – Worktop with a view of the neighbourhood
  6. Privacy Booth – Fully felt-lined privacy booth with a standing desk and bum seat
  7. Work Platform – Concrete platform with more relaxed sitting options and docking niches for cork stools
  8. Meet & Greet – Meeting table made from a local Rain Tree trunk
  9. Think Wall – Collaborative wall with dry-erase surface

Research and studies have shown that movement improves concentration.  By having the option of different zones, movement is encouraged and a variety of works zones could be used to suit different work requirements.  The choice of curved surfaces is also qualified by neurological research to be more inviting and calming, allowing for more expansive conversations. Lighting has been programmed with different colour temperatures to subtly signal variable work/relax environments from morning to the evening (e.g. cool colour temperatures gradually transitioning to warm colour temperatures).  Different work zones have been programmed with different light requirements.

The 9 work zones are strung together like jewels on a necklace, creating a continuous ‘loop of working spaces’.  The ‘loop’ is further supported with 6 ancillary spaces which include a Felt Shelving Wall for the client’s research booklets and an Artefact Wall for an interchangeable display of showcase items.  The geometry of these spaces was derived by experimenting with the client’s research booklets and this inspired the creation of curvilinear plywood shells to cuddle each work zone.  The plywood shells vary in height according to sightlines and orientated at different angles to create the perception of separate zones.  The taller plywood shells increase the privacy for the individual and act as health barriers between adjacent zones.  Further cut-outs facilitate visual interaction and shells have been staggered to emit daylight and create visual depth.

Interactivity amongst work colleagues is likely to be one of the primary incentives for a return to the office post-pandemic.  The new office remains a hive for collaboration.  The Think Wall is equipped with a dry erase paint surface for brainstorming sessions and discussions.  The Artefact Wall functions as a modern cabinet of curiosities where curated artefacts can provoke, inspire and spark off conversations.  A 100-bottle continuous display shelf provides their clients/collaborators with a dedicated area to keep their bottles in personalised containers (inspired by the Japanese bar system of ‘bottle-keep’ / botorukīpu)

The construction and selection of both carpentry and furniture have been geared towards sustainability and green practices.  This was done by sourcing for eco-friendly materials/products such as vegan felt for felt shelving, local timber for a meeting table, Cork Family stools from Vitra, and a custom made pendant lamp from kenafcrete (kenaf plant fibres with lime binder).  A dedicated area for potted plants also adds a biophilic touch to the office.  The design and construction process has been kept honest and rudimentary to reveal the true nature of materials such as curved layered plywood and using everyday stationery items, i.e., file binders and clips were used to assemble the Felt Shelving Wall.  Construction during the pandemic lockdown was a challenge with national restrictions.  This was overcome by using CNC-cut templates and utilising differential cross-border lockdown situations to mitigate the fabrication process.  These were transported a short distance cross border and assembled by a small team locally.

“We were looking for a ‘third space’, one that extends the current spaces at Deloitte to have a different kind of conversation with clients and teams.  We wanted a space that embodied the principles of ‘provoke’, ‘inspire’, and ‘connect’ in a real working environment that also showcased the future of work and working. We were very impressed by what Studio SKLIM created that addressed the design brief exceptionally in a very small space” said Duleesha Kulasooriya, Executive Director of the Deloitte Center for the Edge who commissioned the space. “In the short time we’ve been in the space, we’ve proven that it is a great space for expansive, creative dialogues, as well as collaborative work. We look forward to expanding its use to host small gatherings as we emerge from the pandemic.”

The new office for Deloitte Center for the Edge challenges the new normal of the work environment with a wide range of work zones in a very modest footprint.

Client Deloitte Center for the Edge (Asia Pacific)
Program Interior Refurbishment (Office)
Area 32 m²
Status Completed
Team Members Kevin Lim
  Ashwin Bafna
Collaborators Vitra (Furniture)
  Affordable Abodes (Kenafcrete lamp)
  Roger & Sons (Meeting table)
  ReMARKable (Dry-erase paint)
  42 Degrees Asia (Lighting)
Photography Khoo Guo Jie / Studio SKLIM
Year of Completion 2020

Voids Café – Architecture Masterprize 2020 Winner

Voids Café has been awarded as one of the Winners for Commercial Interiors at the Architecture Masterprize 2020 .  Link here.

Periphery Apartment

The apartment resides in a building with an undulating glass façade and plan.  The refurbishment seeks inspiration from building’s architecture and carries the curved aesthetics back into the interiors.

Periphery Apartment is home to a couple who love collecting artifacts and have dedicated two rooms for their separate collections.  The living and dining rooms were envisaged as one contiguous space and flanked by a timber veneer wall with rounded corners to enable a spatial flow from the entrance to the living and dining areas.  The kitchen entrance with a porthole has been designed as a continuity of this datum to visually link both the kitchen and dining.  The ceiling pelmets were also softened with curves to complement the surroundings.

The private part of the apartment consist of two main areas; the master bedroom suite and the collection rooms.

An adjoining bedroom was converted into an en-suite walk in wardrobe with a vanity counter.  The master bedroom was fitted with an infill platform bed that hugs the curve of the building.   The platform bed was designed like a box with multifarious storage options; a ‘suitcase’ storage that opens from the top and aligns the bed away from the afternoon sun, slots for reading material and hidden storage for keeping the clutter of wires away from view.  Custom metal work outline the vanity counters in both the walk-in and bathroom.  Flora was brought into the bathroom to form a green privacy screen and add a tropical touch to the shower area .

The ardent collectors have requested for two separate collection rooms with individual work spaces.  The husband’s man-cave has floor to ceiling display shelves to showcase his army of metal figurines and police paraphernalia.  The man-cave room was clad in navy blue to reflect his association with the ‘boys in blue’.  The wife has also amassed a sizable collection of her own in Lego.  The various Lego collections are framed by playful boxes in pastel shades to complement the colourful Lego builds.

We envisaged an apartment interior that was soft on the peripheral edges and moulded to fit the contours of the building’s architecture.

Client Confidential
Program Interior Refurbishment (Residential)
Area 164 m²
Status Completed
Team Members Kevin Lim
Ashwin Bafna
Svasti Agrawal
Photography Khoo Guojie
Year of Completion 2020

D+A : Size Doesn’t Matter

Published by Media Group Pte Ltd, Singapore

#114, 2020

Size Doesn’t Matter

“Grace Espresso Cafe by Studio SKLIM epitomises how design can overcome space limitations.”

DesignBoom : Studio SKLIM’s ‘voids cafe’ in Singapore is carved out of a monolithic concrete block

View here.

ArchDaily features Voids Cafe

View here.

INDESIGNLIVE.SG + INDESIGNLIVE : Coffee and matcha in the void

“Studio SKLIM draws upon concepts of emptiness and negative space to optimise space in a micro café located along River Valley Road.”  View here.

Voids Café

The empty space in a coffee cup or ‘matcha’ bowl was the form-giving inspiration for this micro café spanning only 28 square metres.  Negative spaces punctuate the space and circular geometries are consistently carried throughout the rest of the built form carving out seating booths, countertops, display shelves and overhanging canopies.  It is a process of subtraction and addition to create the operational and anthropometrical needs of the café.

In this condensed space, it was essential that we balanced the numerous kitchen inventory with the customer zones, utilising every nook to add to that experience.  We were able to create several working and customer zones including an experience/retail display corner, a take-away counter, seating booths and even a small ‘Ritual Counter’ for conducting workshops and making drip coffee or bowls of powdered Japanese green tea ‘matcha’.

The experience circle was designed as a suspended enclosure where customers can duck under and experience the smell of different coffee grounds and tea products.  Counter spaces were carved out to bring together a closer interaction between customer and barista, simultaneously bringing them in closer proximity to the coffee making process with aroma and grinding/tapping sounds.  Customer seating are circular cut-outs in the concrete counters with matching petal-like tables to match.  The main powdered pink concrete counter top was custom-casted in 11 separate pieces.  Amongst them a minimal surface concrete counter top for takeaways formed by using a special fabric formwork.  Cracks were also purposefully cast in the concrete to allow planting to emerge from beneath, an inspiration taken from plants growing on old buildings.  Circular metal tables were created to project from the walls and similarly from the concrete seating booths.  The concrete counter block was visually made to be contiguous with the floor with adjoining gentle curved radii.

The entire volume was entirely holstered from the ceiling with no supports connecting the bottom counter top mass, giving a surreal lightness about the whole structure.  The overhanging volume was also rendered in heavily textured stucco inspired from gritty coffee grounds to create an anti-gravity coffee cloud.  The resultant aesthetic from subtractions and additions, creates a massing that appears fluid with its own fuzzy logic, certainly not based on any premeditated form or symbol of what a café should be.

Client Grace Espresso
Program Interior Refurbishment (F&B)
Area 28 m²
Status Completed
Team Members Kevin Lim
Ashwin Bafna
Svasti Agrawal
Photography Khoo Guojie / Studio SKLIM
Year of Completion 2019

 

D+A : Guiding Line

Published by Media Group Pte Ltd, Singapore

#110, 2019

Guiding Line

“A structure in this office hosts greenery and office supplies, while acting as an architectural datum.”

Houses

Published by Phaidon Press Ltd., USA

Phaidon Editors, ed.

2019

ISBN: 9780714878096

 

Explore 400 of the world’s most innovative and influential architect-designed houses created since the early 20th century

Throughout history, houses have presented architects the world over with infinite opportunities to experiment with new methods and materials for domestic living.

 

Houses: Extraordinary Living celebrates the incredible diversity and beauty of the house as never before, from Modernist icons to feats of technological, material, and spatial innovation in the 21st century.

 

The 400 houses in this collection are organized in curated pairings, with each entry featuring an evocative image and an engaging description. Styles presented include Modernism, Postmodernism, Brutalism, Regionalism, Deconstructivism, and International Style. Houses are from countries and locations worldwide that are famed for their houses, such as Australia and Japan, the Case Study Houses in Los Angeles, New Canaan in Connecticut, and Fire Island in New York.

 

Explore the creative imaginations of hundreds of internationally renowned architects past and present, as well as dozens of awe-inspiring houses by lesser-known and emerging talents. Iconic architects of the twentieth century, including Le Corbusier, Mies van der Rohe, and Marcel Breuer, as well as the very best of contemporary architects working around the world today, such as Tadao Ando, Grafton, and Steven Holl are included.